and their smooth and rounded surfaces and contours, variety of color, and transparent limpidity make them look like piles of assorted candies. A very light straw color is their commonest tint. It seemed to me that these uncut gems must be more beautiful than any cut ones could be; but when a collection of cut ones was brought out, I saw my mistake. Nothing is so beautiful as a rose diamond with the light playing through it, except that uncostly thing which is just like it—wavy sea-water with the sunlight playing through it and striking a white-sand bottom.
Before the middle of July we reached Cape Town, and the end of our African journeyings. And well satisfied; for, towering above us was Table Mountain—a reminder that we had now seen each and all of the great features of South Africa except Mr. Cecil Rhodes. I realize that that is a large exception. I know quite well that whether Mr. Rhodes is the lofty and worshipful patriot and statesman that multitudes believe him to be, or Satan come again, as the rest of the world account him, he is still the most imposing figure in the British empire outside of England. When he stands on the Cape of Good Hope, his shadow falls to the Zambesi. He is the only colonial in the British dominions whose goings and comings are chronicled and discussed under all the globe's meridians, and whose speeches, undipped, are cabled from the ends of the earth; and he is the only unroyal outsider whose arrival in London can compete for attention with an eclipse.
That he is an extraordinary man, and not an accident of fortune, not even his dearest South African enemies were willing to deny, so far as I heard them testify. The whole South African world seemed to stand in a kind of shuddering awe of him, friend and enemy alike. It was as if he were deputy-God on the one side, deputy-Satan on the other, proprietor of the people, able to make them or ruin them by his
