of the affections, and hinders the one from influencing or contradicting the other.
An heroic and burlesque design, united in one picture, would be monstrous; tho' we place two pictures of so opposite a character in the same chamber, and even close together, without any scruple.
7. It needs be no matter of wonder, that the easy transition of the imagination should have such an influence on all the passions. It is this very circumstance, which forms all the relations and connexions amongst objects. We know no real connexion betwixt one thing and another. We know only, that the idea of one thing is associated with that of another, and that the imagination makes an easy transition betwixt them. And as the easy transition of ideas, and that of sentiments mutually assist each other; we might beforehand expect, that this principle must have a mighty influence on all our internal movements and affections. And experience sufficiently confirms the theory.
For
