Nothing endears so much a friend as sorrow for his death. The pleasure of his company has not so powerful an influence.
Jealousy is a painful passion, yet without some share of it, the agreeable affection of love has difficulty to subsist in its full force and violence. Absence is also a great source of complaint amongst lovers, and gives them the greatest uneasiness: Yet nothing is more favorable to their mutual passion than short intervals of that kind. And if long intervals be pernicious, it is only because, thro' time, men are accustomed to them, and they cease to give uneasiness. Jealousy and absence in love compose the dolce piccante of the Italians, which they suppose so essential to all pleasure.
There is a fine observation of the elder Pliny, which illustrates the principle here insisted on. It is very remarkable, says he, that the last works of celebrated artists, which they left imperfect, are always the most prized, such as the Iris of Aristides, the Tyndarides of Nicomachus, the Medea of Timomachus, and the Venus of Apelles. These are valued even above their finished productions: The broken lineamentsof
