for the moment overshadowed the realisation of his own peril. A robbery such as that, if it were ever accomplished, would stir the country from end to end; it would set New York by the ears; it would loose the police in full cry like a pack of bloodhounds with their leashes slipped. The society columns of the newspapers had been busy for months featuring the coming marriage of the Ross-Logans' daughter to one of the country's young merchant princes. The combined fortunes of the two families would make the young couple the richest in America. The prospective groom's wedding gift was to be a diamond necklace of perfectly matched, large stones that would eclipse anything of the kind in the country. Europe, the foreign markets, had been literally combed and ransacked to supply the gems. The stones had arrived in New York the day before, the duty on them alone amounting to over fifty thousand dollars. All this had appeared in the papers.
Jimmie Dale's brows drew together in a frown. On just exactly what percentage the duty was figured he did not know; but it was high enough on the basis of fifty thousand dollars to assume safely that the assessed value of the stones was not less than four times that amount. Two hundred thousand dollars—laid down, a quarter of a million! Well, why not? In more than one quarter diamonds were ranked as the soundest kind of an investment. Furthermore, through personal acquaintance with the "high contracting parties," who were in his own set, he knew it to be true.
He shrugged his shoulders. The papers, too, had thrown the limelight on Max Diestricht, who, though for quite a time the fashion in the social world, had, up to the present, been comparatively unknown to the average New Yorker. His own knowledge of Max Diestricht went deeper than the superficial biography furnished by the newspapers—the old Hollander had done more than one piece of exquisite jewelry work for him. The old fellow was a character that beggared description, eccentric to the point of extravagance, and deaf as a post; but, in craftmanship, a modern Cellini. He employed no workmen, lived alone over his shop on one
