enough to break in during the owner's absence—some rather disreputable clothes hanging on the wall, and flung untidily across the bed—that was all.
Alone now, Jimmie Dale's face was strained and anxious—and, occasionally, as he undressed himself, his hands clenched until his knuckles grew white. The gray seal on the murdered man's forehead was a genuine gray seal—one of Jimmie Dale's own. There was no doubt of that—he had satisfied himself on that point.
Where had it come from? How had it been obtained? Jimmie Dale carefully placed the clothes he had taken off under the mattress, pulled a disreputable collarless flannel shirt over his head, and pulled on a disreputable pair of boots. There were only two sources of supply. His own—and the collection that the police had made, which Carruthers had referred to.
Jimmie Dale lifted a corner of the oilcloth in a corner of the room, lifted a piece of the flooring, lifted out a little box which he placed upon the rickety table, and sat down before a cracked mirror. Who was it that would have access to the gray seals in the possession of the police, since, obviously, it was one of those that was on the dead man's forehead? The answer came quick enough—came with the sudden out-thrust of Jimmie Dale's lower jaw. One of the police themselves—no one else. Clayton's heavy, cunning face, Clayton's shifty eyes, Clayton's sudden rush when he had touched the dead man's forehead, pictured themselves in a red flash of fury before Jimmie Dale. There was no mask now, no facetiousness, no acted part—only a merciless rage, and the muscles of Jimmie Dale's face quivered and twitched. Murder, foisted, shifted upon another, upon the Gray Seal—making of that name a calumny—ruining forever the work that she and he might do!
And then Jimmie Dale smiled mirthlessly, with thinning lips. The box before him was open. His fingers worked quickly—a little wax behind the ears, in the nostrils, under the upper lip, deftly placed—hands, wrists, neck, throat, and face received their quota of stain, applied with an artist's
