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THE MIRACLE MAN

as his head sagged at a stiff, set angle into his right shoulder. Hair straggled from the brim of a nondescript felt hat into his eyes, and curled, dirty and unshorn, around his ears and the nape of his neck. His face was covered with a stubble of four days' growth, his body with rags—a coat; a shirt, the button long since gone at the neck; and trousers gaping in wide rents at the knees, and torn at the ankles where they flapped around miss-mated socks and shoes.

A hundred, two hundred people passed him in a block, the populace of the Bowery awakening into fullest life at midnight, men, women and children—the dregs of the city's scum—the aristocracy of upper Fifth Avenue, of Riverside Drive, aping Bohemianism, seeking the lure of the Turkey Trot, transported from the Barbary Coast of San Francisco. Rich and poor, squalor and affluence, vice and near-vice surged by him, voicing their different interests with laughter and sobs and soft words and blasphemy, and, in a sort of mocking chorus, the composite effect rose and fell in pitiful, jangling discords.

Few gave him heed—and these few but a cursory, callous glance. The Flopper, on the inside of the sidewalk, in the shadow of the buildings, gave as little as he got, though his eyes were fastened sharply, now ahead, now, screwing around his body to look behind him, on the faces of the pedestrians as they passed; or, rather, he appeared to look through and beyond those in his immediate vicinity to the ones that followed in