the candle, she started toward the lower end of the attic, where the roof sloped down to little more than shoulder high. "Seven-Three-Nine!" Danglar had almost decoded the message word for word in the course of his conversation. In the little notebook, set against the figures, were the words: "Danger. The game is off. Make no further move." It was only one of many, that arbitrary arrangement of figures, each combination having its own special significance; but, besides these, there was the key to a complete cipher into which any message might be coded, and But why was her brain swerving off at inconsequential tangents? What did a code, or code book, matter at the present moment?
She was standing under the narrow trap-door in the low ceiling now, and now she pushed it up, and lifting the candle through the opening, set it down on the inner surface of the ceiling, which, like some vast shelf, Gypsy Nan had metamorphosed into that exhaustive storehouse of edibles, of plunder—a curious and sinister collection that was eloquent of a gauntlet long flung down against the law. She emptied the pocket of her skirt, retaining only the revolver, and substituted the articles she had removed with the tin box that contained the dark compound Gypsy Nan, and she herself, as Gypsy Nan, had used to rob her face of youthfulness, and give it the grimy, dissolute and haggard aspect which was so simple and yet so efficient a disguise.
She worked rapidly now, changing her clothes. She could not go, or act, as Gypsy Nan; and so she must go in her own character, go as the White Moll—because that was the lesser danger, the one that held the only promise of success. There wasn't any other way. She could not very well refuse to risk her capture by
