Psychopathology of Everyday Life
ference” for proper names, but he would not assume any deep determinant for the process.
I was led to examine exhaustively the phenomenon of temporary forgetfulness through the observation of certain peculiarities, which, although not general, can, nevertheless, be seen clearly in some cases. In these there is not only forgetfulness, but also false recollection: he who strives for the escaped name brings to consciousness others—substitutive names—which, although immediately recognized as false, nevertheless obtrude themselves with great tenacity. The process which should lead to the reproduction of the lost name is, as it were, displaced, and thus brings one to an incorrect substitute.
Now it is my assumption that the displacement is not left to psychic arbitrariness, but that it follows lawful and rational paths. In other words, I assume that the substitutive name (or names) stands in direct relation to the lost name, and I hope, if I succeed in demonstrating this connection, to throw light on the origin of the forgetting of names.
In the example which I selected for analysis in 1898 I vainly strove to recall the name of the master who made the imposing frescoes of the “Last Judgment” in the dome of Orvieto. Instead of the lost name—Signorelli—two other names of artists—Botticelli and Boltraffio—obtruded themselves, names which my judg-
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