as the libidinous impulse of the first person, to satisfy himself through the woman, is blocked, he immediately develops a hostile attitude towards this second person and takes the originally intruding third person as his confederate. Through the obscene speech of the first person the woman is exposed before the third person, who as a listener is fascinated by the easy gratification of his own libido.
It is curious that common people so thoroughly enjoy such smutty talk, and that it is a never-lacking activity of cheerful humor. It is also worthy of notice that in this complicated process which shows so many characteristics of tendency-wit, no formal demands, such as characterize wit, are made upon “smutty wit.” The unveiled nudity affords pleasure to the first and makes the third person laugh.
Not until we come to the refined and cultured does the formal determination of wit arise. The obscenity becomes witty and is tolerated only if it is witty. The technical means of which it mostly makes use is allusion, i.e., substitution through a trifle, something remotely related, which the listener reconstructs in his imagination as a full-fledged and direct obscenity. The greater the disproportion between what is directly offered in the obscenity and what is necessarily aroused by it in the mind
