which can be discharged through laughter.
As is known, caricature brings about the degradation by rendering prominent one feature, comic in itself, from the entire picture of the exalted object, a feature which would be overlooked if viewed with the entire picture. Only by isolating this feature can the comic effect be obtained which spreads in our memory over the whole picture. This has, however, this condition; the presence of the exalted itself must not force us into a disposition of reverence. Where such a comical feature is really lacking then caricature unhesitatingly creates it by exaggerating one that is not comical in itself. It is again characteristic of the origin of comic pleasure that the effect of the caricature is not essentially impaired through such a falsifying of reality.
Unmasking
Parody and travesty accomplish the degradation of the exalted by other means; they destroy the uniformity between the attributes of persons familiar to us and their speech and actions; by replacing either the illustrious persons or their utterances by lowly ones. Therein they differ from caricature, but n
