produce a comic impression at the same time. If we do not strike the trail of the wit, there remains to us only the comic or funny story.
The story of the borrowed kettle, which showed a hole on being returned, whereupon the borrower excused himself by stating that in the first place he had not borrowed the kettle; secondly, that it already had a hole when he borrowed it; and thirdly, that he had returned it intact without any hole (p. 82), is an excellent example of a purely comic effect through giving free play to one’s unconscious modes of thinking. Just this mutual neutralization of several thoughts, each of which is well motivated in itself, is the province of the unconscious. Corresponding to this, the dream in which the unconscious thoughts become manifest, also shows an absence of either-or.[1] These are expressed by putting the thoughts next to one another. In that dream example given in my Interpretation of Dreams,[2] which in spite of its complication I have chosen as a type of the work of interpretation, I seek to rid myself of the reproach that I have not removed the pains of a patient by psychic treatment. My arguments are: 1. she is herself
