added, or what disturbances must be checked in order that pleasure should result from the difference of expenditure? But before proceeding with the answers to these questions we wish to verify what was said in the conclusions of the former discussion, namely, that the comic of speech is not synonymous with wit, and that wit must be something quite different from speech comic.
As we are about to attack the problem just formulated, concerning the conditions of the origin of comic pleasure from the difference of expenditure, we may permit ourselves to facilitate this task so as to cause ourselves some pleasure. To give a correct answer to this question would amount to an exhaustive presentation of the nature of the comic for which we are fitted neither by ability nor authority. We shall therefore again be content to elucidate the problem of the comic only so far as it distinctly separates itself from wit.
All theories of the comic were objected to by the critics on the ground that in defining the comic these theories overlooked the essential element of it. This can be seen from the following theories, with their objections. The comic depends on a contrasting idea; yes, in so far as this contrast effects one comically and in
