at the recollection of having laughed, at the expectation of laughing, and at the appearance of the one who is to present the comic, even before the latter makes the attempt to make him laugh. It is for this reason that people admit that they are ashamed of that which made them laugh at the theater.
c) Unfavorable conditions for the comic result from the kind of psychic activity which may occupy the individual at the moment. Imaginative or mental activity tending towards serious aims disturbs the discharging capacity of the investing energies which the activity needs for its own displacements, so that only unexpected and great differences of expenditure can break through to form comic pleasure. All manner of mental processes far enough removed from the obvious to cause a suspension of ideational mimicry are unfavorable to the comic; in abstract contemplation there is hardly any room left for the comic, except when this form of thinking is suddenly interrupted.
d) The occasion for releasing comic pleasure vanishes when the attention is fixed on the comparison capable of giving rise to the comic. Under such circumstances the comic force is lost from that which is otherwise sure to produce a comic effect. A movement or a mental activity
