its equal. The alleviation which furnishes the child pure pleasure is a debasement used by the adult as a means of making things comic and as a source of comic pleasure. As for unmasking we know that it is based on degradation.
The infantile determination of the third case, the comic of expectation, presents most of the difficulties; this really explains why those authors who put this case to the foreground in their conception of the comic, found no occasion to consider the infantile factor in their studies of the comic. The comic of expectation is farthest from the child’s thoughts, the ability to understand this is the latest quality to appear in him. Most of those cases which produce a comic effect in the grown-up are probably felt by the child as a disappointment. One can refer, however, to the blissful expectation and gullibility of the child in order to understand why one considers himself as comical “as a child,” when he succumbs to comic disappointment.
If the preceding remarks produce a certain probability that the comic feeling may be translated into the thought; everything is comic that does not fit the grown-up, I still do not feel bold enough,—in view of my whole position to the problem of the comic—to defend this
