The bars are numbered for convenience of reference. Note the altered forms of the countersubject spoken of in § 170.
![\new ChoirStaff << \override Score.BarNumber.break-visibility = ##(#t #t #t) \override Score.Rest #'style = #'classical
\new Staff \relative b' { \key e \major \time 4/2 \bar ""
R\breve*4 r1 \[ b1^"A" | cis2 e dis cis |
b1 ~ \] b4 a8 gis a2 ~ | a gis fis e | dis r r1 | R\breve
\[ e1^"S" fis2 a | gis fis eis4 \] fis gis a }
\new Staff \relative e' { \clef alto \key e \major
R\breve*3 e1^"S" fis2 a | gis fis e r4 \[ b^"CS" |
e fis gis ais b8 fis b2 \] a4 ~ |
a gis8 fis gis2 cis,2. dis8 e | dis2 e ~ e4 dis cis2 |
fis, \[ b^"A" cis e | dis cis b4 \] e2 dis4 ~ |
dis cis2 b8 ais b4 fis'2 e8 dis | e2. dis4 cis1 }
\new Staff \relative b { \clef tenor \key e \major
R\breve r1 \[ b^"A" | cis2 e d cis |
b2. \] \[ b4^"CS" a b cis dis | e8 b e2 \] dis4 e2 gis,4 fis |
gis2 e fis1 ~ | fis4 b, e2 ~ e4 cis fis2 ~ |
fis4 \[ e8 fis gis4 a b8 fis b2 \] ais4 | b2 r \[ e,1^"S" |
fis2 a gis fis | e4 \] a2 gis4 fis4 \[ e8^"CS" dis e4 fis |
gis a b8 fis b a \] gis2 fis^"&c." }
\new Staff \relative e { \clef bass \key e \major
\[ e1^"S" fis2 a | gis fis e4 \] dis8 cis dis4 \[ b |
e fis gis ais b8 fis b2 \] a4 ~ | a gis8 fis gis2 ~ gis fis |
gis a4 b8 a gis4 fis e dis | cis1 b2 fis |
gis2. e4 a2. fis4 | b\breve ~ | b2 r r1 | r \[ b^"A" |
cis2 e dis cis | b1 ~ \] b2 a } >>](http://upload.wikimedia.org/score/p/z/pzajxpwt2cro2bwmbvvhm5zpkl9oitb/pzajxpwt.png)
