fresh conditions on the publication. The chief censor indeed acknowledged, at the beginning of this letter, that he had given the imprimatur to the work, but stated that it was only with the reservation that the author should make some alterations as agreed upon, and send his book to Rome to be published, where with the help of Mgr. Ciampoli all difficulties would have been overcome. "Father Stephani," continues Riccardi, "has no doubt subjected the book to a conscientious revision; but as he was not acquainted with the Pope's views, he had no power to give any approval which would enable me to sanction the printing without incurring the danger both to him and myself that unpleasantnesses might arise, if things were still found contrary to the proscriptions." Riccardi then asserts that he had no greater desire than to serve the Grand Duke, but he considers that it must be done so as to prevent any danger to his Highness's reputation. And this would not be the case if he gave his imprimatur, as it was not his province to give it for Florence,[1] while it would be secured by his assuring himself that everything was in accordance with the commands of his Holiness. "When I have inspected the beginning and end of the work," he continued, "I shall easily discover what I want to know, and will then give a certificate that I have approved the whole work."
This sentence is, to say the least, very obscure. Riccardi had had these two portions of the work in his possession for months, and could long before have discovered from them what he wanted to know. Or had he not condescended to look at them? This seems scarcely credible, and is in direct opposition to what he said to Castelli months before. But a desire to spin the matter out is evident enough from this obscure sentence as well as the rest of the letter. The Master of the Palace then proposed, if it were still impossible to forward the work, to send the ordinances of his Holiness to
- ↑ The Roman censorship only granted licences to works published at Rome itself.
