and felt very much like a child whose house of bricks had been knocked down by the unlucky waft of some passing petticoat.
Meanwhile, the entire change of scene brought on the exquisite refreshment of entire change of thought. Ellinor had not been able so completely to forget her past life for many years; it was like a renewing of her youth; cut so suddenly short by the shears of fate. Ever since that night, she had had to rouse herself on awakening in the morning into a full comprehension of the great cause she had for much fear and heavy grief. Now, when she wakened in her little room, fourth piano, No. 36, Babuino, she saw the strange, pretty things around her, and her mind went off into pleasant wonder and conjecture, happy recollections of the day before, and pleasant anticipations of the day to come. Latent in Ellinor was her father’s artistic temperament; everything new and strange was a picture and a delight; the merest group in the street, a Roman facchino, with his cloak draped over his shoulder, a girl going to market or carrying her pitcher back from the fountain, everything and every person that presented it or himself to her senses, gave them a delicious shock, as if it were something strangely familiar from Pinelli, but unseen by her mortal eyes before. She forgot her despondency, her ill health disappeared as if by
