LANDOR
trodden, devotion to his honored poets and patriots, hatred of pretension and superstition. Among minor pieces which thus illustrate his character, their brevity and finish enable us to select the enduring verses to Browning, the lines upon Roland and Corday, and the tributes to Miss Mitford and Julius Hare.
Mrs. Browning declared Landor to be "of all living writers the most unconventional in thought and word, the most classical, because the freest from mere classicalism, the most Greek, because pre-eminently and purely English." It seems to us that precisely the amount of benefit which a familiarity with the antique models can render to a modern poet is discernible in the greater portion of our selections. Their clearness and terseness are of the classic mould, but the language, thought, emotion, are Landorian and English. Of this twofold quality there are no better examples in our language than the companion-pieces, "To Youth" and "To Age." In finish these bear comparison with Collins's "Dirge in Cymbeline," and in feeling and purpose excel that melodious lyric. In respect to their theme, it may be said that no other poet has left so many or so beautiful verses inspired by the presence and sentiment of Age. Living long after he was content to die, he retained to the ninetieth year his sweetness of utterance and need for expression. It was the voice of Tithonus, whom Aurora had loved, thrilling tunefully and loudly after his bodily vigor had departed. It is said that poets die young; at all events the mass of poetry is ardent with the forward-looking hope of Youth; but in Landor's most
[99]
