A BELT OF ASTEROIDS
a specimen of his work, and sought counsel as to his adoption of the painter's art as a calling for life. My friend looked at the sketch, kindly talked with the youth of a painter's struggles and self-denials, and of the tide constantly pressing the finest genius back from its goal, and so sent his listener away with few words of encouragement or hope. "Now," said I, "you know that boy's picture had merit; why did you treat him so harshly?" He answered, "If he has the right stuff in him, this will make no difference; he will paint on, though the ghost of Raphael should warn him to give way; and will succeed in his art. If he has not, I am doing him the highest benefit by keeping from him that 'crown of sorrow' which is inevitable for one who has not clearly discerned the true purpose of his life."[1]
- ↑ Reference may be appreciated by some readers of this essay to Famous Single and Fugitive Poems, edited by Rossiter Johnson, published, 1880, by Messrs. Henry Holt & Co., New York.—The Editors.
[81]
