ness or a magic sword it removed all credit from Jack in the "common moral" sense; he won as Cæsar won only because he was superior. I will confess, in passing, to the conviction that Bernard Shaw in the course of his whole simple and strenuous life was never quite so near to hell as at the moment when he wrote down those words. But in this question of fairy tales my immediate point is, not how near he was to hell, but how very far off he was from fairyland. That notion about the hero with a magic sword being the superman with a magic superiority is the caprice of a pedant; no child, boy, or man ever felt it in the story of Jack the Giant Killer. Obviously the moral is all the other way. Jack's fairy sword and invisible coat are clumsy expedients for enabling him to fight. at all with something which is by nature stronger. They are a rough, savage substitute for psychological descriptions of special valour or unwearied patience. But no one in his five wits can doubt that the idea of "Jack the Giant Killer" is exactly the opposite to Shaw's idea. If it were not a tale of effort and triumph hardly earned it would not be called "Jack the Giant Killer." If it were a tale of the victory of natural advantages it
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