the sophist as well as of the gnomic poet, of Thrasymachus as well as of Theognis. He seems to feel a gladiator's pleasure in the sword-play of a boisterous and high-handed sophistry, less designed to mislead or convince than to baffle or bear down his opponent. We can imagine him setting up almost any debateable theorem as a subject for dispute in the schools of rhetoric, and maintaining his most indefensible position with as much energy and cunning of argument as his native force of mind could bring to the support of his acquired skill of fence: we can perceive that in any such case he would argue his point and reinforce his reasoning with no less passion and profusion of thought and speech than if his heart and conscience had been enlisted on the side which in fact he had taken up by mere chance or defiant caprice.
This however is by no means the general character of the philosophy set forth and the eloquence displayed in this poem. The whole character of Clermont, conceived as it is in a spirit of direct defiance to all rules and traditions of dramatic effect, and elaborated as though in disdain of possible success
