tress that revenge which at the first occasion given the duchess was not slow to exact from her lover on the triumphant enemy of her kinsman.
The haughty integrity which involved and upheld Chabot in danger and disgrace, and the susceptible pride which when restored to favour could no longer support him under the sense of past degradation, are painted from the life of history; but his poet may be thought to have somewhat softened the harsher features of that arrogance and roughness of temper which impaired the high qualities and imperilled the high station of the brave and upright admiral who dared his king to find a ground for his impeachment, And if we miss in Chapman's portrait those chivalrous and amorous features which long kept fresh in popular fancy the knightly fame of Francis I, the figure set before us is not wanting in a kingly grace and dignity which the dramatist has chosen to bestow with an equal hand on the grandson to whom neither history nor tradition has assigned even so much of 'the king-becoming graces' as may be allowed to the conqueror of Marignano. Chapman indeed has in this case taken so little care to
