Page:George Chapman, a critical essay (IA georgechapmancri00swin).pdf/23

pebbles in his mouth; but it is presumable that he also learnt to dispense with their aid before he stood up against Æschines or Hyperides on any great occasion of public oratory. Our philosophic poet, on the other hand, before addressing such audience as he may find, is careful always to fill his mouth till the jaws are stretched wellnigh to bursting with the largest, roughest, and most angular of polygonal flintstones that can be hewn or dug out of the mine of human language; and as fast as one voluminous sentence or unwieldy paragraph has emptied his mouth of the first batch of barbarisms, he is no less careful to refill it before proceeding to a fresh delivery. I sincerely think and hope that no poems with a tithe of their genuine power and merit were ever written on such a plan or after such a fashion as the Shadow of Night or Andromeda Liberata of Chapman. It is not merely the heavy and convulsive movement of the broken and jarring sentences, the hurried broken-winded rhetoric that seems to wheeze and pant at every painful step, the incessant byplay of incongruous digressions and impenetrable allusions, that make the first reading of these poems