In style and metre this play, which bears the date of his fifty-third year (1611), is noticeably different from all his acknowledged tragedies, one only excepted; but it is not more different from the rest than this one, which, though not published till twenty years after the death of Chapman, has never yet been called in question as a dubious or spurious pretender to the credit of his authorship. And if, as I am unwilling to disbelieve, Chapman was actually the author of Revenge for Honour, one serious obstacle is cleared out of the way of our belief in the justice of the claim advanced for him to this play also. Not that the two can be said to show many or grave points of likeness to each other; but between all other tragedies assigned to Chapman such points of intimate resemblance do undoubtedly appear, while the points of unlikeness between any one of these and either of the plays in question are at once as many and as grave.
Of the posthumous tragedy I purpose to say a word in its turn; meantime we may observe that it is not easy to conjecture any motive of interest which might have induced a forger of names to attri-
