graphs. In the following unpublished letters George Eliot thanks the latter for his valued gifts—"We returned only the night before last from a two months' journey to the Continent, and among the parcels awaiting me I found your generous gift. I am very grateful to you both as giver and poet.
"In cutting the leaves, while my head is still swimming from the journey, I have not resisted the temptation to read many things as they ought not to be read—hurriedly. But even in this way I have received a stronger impression than any fresh poems have for a long while given me, that to read once is a reason for reading again. The sonnets towards 'The House of Life' attract me peculiarly. I feel about them as I do about a new cahier of music which I have been 'trying' here and there with the delightful conviction that I have a great deal to become acquainted with and to like better and better." And again, in acknowledgment of some photographs: "The 'Hamlet' seems to me perfectly intelligible, and altogether admirable in conception, except in the type of the man's head. I feel sure that 'Hamlet' had a square anterior lobe.
"Mr. Lewes says, this conception of yours makes him long to be an actor who has 'Hamlet' for one of his parts, that he might carry out this scene according to your idea.
"One is always liable to mistake prejudices for sufficient inductions, about types of head and face, as well as about all other things. I have some impressions—perhaps only prejudices dependent on the narrowness of my experience—about forms of eyebrow and their relation to passionate expression. It is possible that such a supposed relation has a real anatomical basis.
