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George Eliot and Judaism.
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archetype of self-negation. What splendid misery this of Gwendolens married life! Her husband she cannot but despise—this man who has already seduced and betrayed one woman, and by whom she too, after she becomes his wife, is maltreated as though she were his dog, and who regards her as the savage may regard the jewel which decks his person. And all this misery must be veiled in the mantle of social observance, and the proprieties must be rigidly adhered to. Everything remains fair outwardly, while beneath the glitter of the tinsel there is naught but hollowness and decay, and while hidden beneath this beauteous envelope the heart is lying broken. Contrast the marriage of Deronda and Mirah, how happy it is! what a joyous radiance illumines it! Must we not look upon Ezra Cohen's humble family even as thrice blessed in comparison with the