To her son, who was in Paris at the time of the disturbances in May 1849, she writes:
Come back, I implore you. I have only you in the world, and your death would be mine. I can still be of some small use to the cause of truth, but if I were to lose you it would be all over with me. I have not got the stoicism of Barbès and Mazzini. It is true they are men, and they have no children. Besides in my opinion it is not in fight, not by civil war, that we shall win the cause of humanity in France. We have got universal suffrage. The worse for us if we do not know how to avail ourselves of it, for that alone can lastingly emancipate us, and the only thing that would give us the right to take up arms would be an attempt on their part to take away our right to vote.
During the two years preceding the coup d'état of December 1851, life at Nohant had resumed its wonted cheerfulness of aspect. Madame Sand was used to surround herself with young people and artistic people; but now, amid their light-heartedness, she had for a period to battle with an extreme inward sadness, confirmed by the fresh evidence brought by these years of the demoralisation in all ranks of opinion. "Your head is not very lucid when your heart is so deeply wounded," she had remarked already after the disasters of 1848, "and how can one help suffering mortally from the spectacle of civil war and the slaughter among the people?"
To that was now added a loss of faith in the virtues of her own party, as well as of the masses. It is no wonder if she fell out of love for awhile with the ideals of romance, with her own art of fiction, and the types of heroism that were her favourite creations. But if
