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ARTIST AND MORALIST.
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creation of agreeable, interesting, and noble types, such as may put us out of conceit with what is mean and base. Goodness, as understood and portrayed by her, must recommend itself not only to the judgment but to the heart. She worked to popularise high sentiments, and to give shape and reality to vague ideas of human excellence. Her idea of virtue as a motive, not a restraint, not the controlling of low and evil desires, but the precluding of all temptation to yield to these, by the calling out of stronger, higher desires, so far from being a low one, is indeed the very noblest; yet not on that account a chimera to those who hold like her to the conviction that "What now characterises the exceptionally high, may be expected eventually to characterise all. For that which the highest human nature is capable of is within the reach of human nature at large." "We gravitate towards the ideal," she writes, "and this gravitation is infinite, as is the ideal itself." And her place remains among those few great intelligences who can be said to have given humanity an appreciable impulse in the direction of progress.