reefs and shoals not to know how narrow is the passage that leads to peace of mind, and she was determined to keep her little craft in mid-channel. But the incident had lodged itself in her memory, acquiring a sort of symbolic significance, as of a turning-point in her relations with her husband. Not that these were less happy, but that she now beheld them, as she had always formerly beheld such joys, as an unstable islet in a sea of storms. Her present bliss was as complete as ever, but it was ringed by the perpetual menace of all she knew she was hiding from Nick, and of all she suspected him of hiding from her. . . .
She was thinking of these things one afternoon about three weeks after their arrival in Venice. It was near sunset, and she sat alone on the balcony, watching the cross-lights on the water weave their pattern above the flushed reflection of old palace-basements. She was almost always alone at that hour. Nick had taken to writing in the afternoons—he had been as good as his word, and so, apparently, had the Muse and it was his habit to join his wife only at sunset, for a late row on the lagoon. She had taken Clarissa, as usual, to the Giardino Pubblico, where that obliging child had politely but indifferently "played"—Clarissa joined in the diversions of her age as if conforming to an obsolete tradition—and had brought her back for a music lesson, echoes of which now drifted down from a distant window.
Susy had come to be extremely thankful for
