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THE GLIMPSES OF THE MOON

in New York and Philadelphia, were as mentally detached, as universally at home, as touts at an International Exhibition. If they were usually recognized as Americans it was only because they spoke French so well, and because Nick was too fair to be "foreign," and too sharp-featured to be English. But Charlie Strefford was English with all the strength of an inveterate habit; and something in Susy was slowly waking to a sense of the beauty of habit.

Lounging on the balcony, whither he had followed her without pausing to remove the stains of travel, Strefford showed himself immensely interested in the last chapter of her history, greatly pleased at its having been enacted under his roof, and hugely and flippantly amused at the firmness with which she refused to let him see Nick till the latter's daily task was over.

"Writing? Rot! What's he writing? He's breaking you in, my dear; that's what he's doing: establishing an alibi. What'll you bet he's just sitting there smoking and reading Le Rire? Let's go and see."

But Susy was firm. "He's read me his first chapter: it's wonderful. It's a philosophic romance—rather like Marius, you know."

"Oh, yes—I do!" said Strefford, with a laugh that she thought idiotic.

She flushed up like a child. "You're stupid, Streffy. You forget that Nick and I don't need alibis. We've got rid of all that hypocrisy by