VII
OF some new ferment at work in him Nick Lansing himself was equally aware. He was a better judge of the book he was trying to write than either Susy or Strefford; he knew its weaknesses, its treacheries, its tendency to slip through his fingers just as he thought his grasp tightest; but he knew also that at the very moment when it seemed to have failed him it would suddenly be back, beating its loud wings in his face.
He had no delusions as to its commercial value, and had winced more than he triumphed when Susy produced her allusion to Marius. His book was to be called The Pageant of Alexander. His imagination had been enchanted by the idea of picturing the young conqueror's advance through the fabulous landscapes of Asia: he liked writing descriptions, and vaguely felt that under the guise of fiction he could develop his theory of Oriental influences in Western art at the expense of less learning than if he had tried to put his ideas into an essay. He knew enough of his subject to know that he did not know enough to write about it; but he consoled himself by remembering that Wilhelm Meister has survived many weighty volumes on æsthetics; and between his moments of self-dis-
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