ving been obtruded upon youth in the Schools (by such as make it, I think, their business there (as 'tis exprest by the best Poet)
Gondibert. Lib. 1. Cant. 5With terms to charm the weak and pose the wise, they grow up with them, and gaining reputation with the ignorant, are not easily shaken off.
To this palpable darkness, I may also adde the ambitious obscurity of expressing more than is perfectly conceived; or perfect conception in fewer words than it requires. Which Expressions, though they have had the honour to be called strong lines, are indeed no better than Riddles, and not onely to the Reader, but also (after a little time) to the Writer himself dark and troublesom.
To the property of Expression I referre, that clearness of memory, by which a Poet when he hath once introduced any person whatsoever, speaking in his Poem, maintaineth in him to the end the same character he gave him in the beginning. The variation whereof, is a change of pace, that argues the Poet tired.
Of the Indecencies of an Heroick Poem, the most remarkable are those that shew disproportion either between the persons and their actions, or between the manners of the Poet and the Poem. Of the first kind, is the uncomliness of representing in great persons the inhumane vice of Cruelty, or the sordid vice of Lust and Drunkenness. To such parts as those the ancient approved Poets, thought it fit to suborn, nor the persons of men, but of monsters and beastly Giants, such as Polyphemus, Cacus, and the Centaurs. For it is supposed a Muse, when she is invoked to sing a song of that nature, should maidenly advise the Poet, to set such persons to sing their own vices upon the Stage; for it is not so unseemly in a Tragedy. Of the same kind it is to represent scurrility, or any action or language that moveth much laughter. The delight of an Epique Poem consisteth not in mirth, but admiration. Mirth and Laughter is proper to Comedie and Satyre. Great persons that have their minds employed on great designs, have notleasure
