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DAVID GARRICK 347 with persons of fashion and rank, who were never tired with seeing and applaud ing the various essays of his skill. The excessive heat became prejudicial to the frequenters of the theatre ; and the epidemical distemper, which seized and carried off great numbers, was nick- named the Garrick fever. Satisfied with the emoluments arising from the sum- mer campaign, and delighted with the generous encouragement and kind coun- tenance which the nobility and gentry of Ireland had given him, and of which he always spoke in the strongest terms of acknowledgment and gratitude, he set out for London, to renew his labors and to receive the applause of the most critical, as well as most candid, audience in Europe. Such an actor as Garrick, whose name when announced in the play-bill oper- ated like a charm and drew multitudes to the theatre, of consequence consider- ably augmented the profits of the patentee. But at the time when all without doors was apparently gay and splendid, and the theatre of Drury Lane seemed to be in the most flourishing condition, by the strange and absurd conduct of the manager the whole fabric was absolutely running into certain destruction. His behavior brought on a revolt of the principal actors, with Mr. Garrick and Mr. Macklin at their head, and for some time they seceded from the theatre. They endeavored to procure a patent for a new theatre, but without success ; and Garrick at length accommodated his dispute with the manager, Mr. Fleetwood, by engaging to play again for a salary of six or seven hundred pounds. In 1 744, Garrick made a second voyage to Dublin, and became joint-man- ager of the theatre there with Mr. Sheridan. They met with great success ; and Garrick returned again to London, in May, 1746, having considerably added to his stock of money. In 1747 he became joint-patentee of Drury Lane Theatre with Mr. Lacy. Mr. Garrick and Mr. Lacy divided the business of the theatre in such a manner as not to encroach upon each other's province. Mr. Lacy took upon himself the care of the wardrobe, the scenes, and the economy of the house- hold ; while Garrick regulated the more important business of treating with au- thors, hiring actors, distributing parts in plays, superintending of rehearsals, etc. Besides the profits accruing from his half-share, he was allowed an income of ,£500 for his acting, and some particular emoluments for altering plays, farces, etc. In 1749, Mr. Garrick was married to Mademoiselle Violetti, a young lady who (as Mr. Davies says), to great elegance of form and many polite accomplish- ments, joined the more amiable virtues of the mind. In 1763, 1764, and 1765, he made a journey to France and Italy, accompanied by Mrs. Garrick, who, from the day of her marriage till the death of her husband, was never separated from him for twenty-four hours. During his stay abroad his company was desired by many foreigners of high birth and great merit. He was sometimes invited to give the company a taste of that art in which he was known so greatly to excel. Such a request he very readily consented to, for indeed his compliance cost him nothing. He could, without the least preparation, transform himself into any character tragic or comic, and seize instantaneously upon any passion of the human mind. He could make a sudden transition from violent rage, and even