mastering the Grammar of the kavya dialect. The Neo-Kavya dialect sometimes observes the grammar and usages of the kavya dialect and sometimes violates them. A writer must be well versed in the kavya dialect to be able to observe rules and precedents; and in addition, he should master the principles of violation which, however, is not an easy task. Every one concerned has shirked the duty of reducing the practice of writers into rules for the simple reason that such practice is not capable of reduction into uniform laws.
THE PROCESS OF SIMPLIFICATION
169. Mr. J. Ramayya Pantulu will, no doubt, say that the kavya dialect has undergone a process of simplification at the hands of the Neo-Kavya school, and that the charge of difficulty, obscurity and artificiality which might be legitimate against the kavya dialect, does not lie against the Neo-Kavya dialect. Mr. J. Ramayya Pantulu explains the process of simplification thus:
‘The proper thing to do to ‘simplify and modernise’ literary Telugu is, as far as possible, to avoid archaic and less usual forms and words, and to use words and forms which are more familiar and grammatical, to avoid sandhi in prose whenever that course is necessary to secure clearness of expression and to use foreign words when it is necessary to do so.” (p.36).
170. An examination of the lists which were prepared by the majority of the Sub-Committee, and were adopted by a majority of the Composition Committee will give a tangible idea of this process.
THE CLASSIFICATION OF FORMS BY THE MAJORITY OF THE SUB-COMMITTEE
171. The duty entrusted to the Sub-Committee was simply to classify forms into archaic and current in the first instance; and
