Page:H. D. Traill - From Cairo to the Soudan Frontier.djvu/274

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FROM CAIRO TO THE SOUDAN

hands of the two rustic figures in Millet's "Angelus," as a corrective to the vulgar corybantics of Hallelujah lasses, and to "take away the taste" of Happy Eliza with her coal-scuttle bonnet and tambourine.

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