II
Necessary meditations on the actual, including the mean bread-and-cheese question, dissipated the phantasmal for a while, and compelled Jude to smother high thinkings under immediate needs. He had to get up and seek for work—manual work, the only kind deemed by many of its professors to be work at all.
Passing out into the streets on this errand, he found that the colleges had treacherously changed their sympathetic countenances: some were stern; some had put on the look of family vaults above ground; something barbaric loomed in the masonries of all. The spirits of the great men had disappeared.
The numberless architectural pages around him he read, naturally, less as an artist-critic of their forms than as an artisan and comrade of the dead handicraftsmen whose muscles had actually executed those forms. He examined the mouldings, stroked them as one who knew their beginning, said they were difficult or easy in the working, had taken little or much time, were trying to the arm, or convenient to the tool.
What at night had been perfect and ideal was by day the more or less defective real. Cruelties, insults, had, he perceived, been inflicted on the aged erections. The condition of several moved him as he would have been moved by maimed sentient beings. They were wounded, broken, sloughing off their outer shape in the deadly struggle against years, weather, and man.
The rottenness of these historical documents reminded him that he was not, after all, hastening on to begin the
