As a hobby, auxiliary to his readings in Divinity, he developed his slight skill in church music and thorough-bass, till he could join in part-singing from notation with some accuracy. A mile or two from Melchester there was a restored village church, to which Jude had originally gone to fix the new columns and capitals. By this means he had become acquainted with the organist, and the ultimate result was that he joined the choir as a bass voice.
He walked out to this parish twice every Sunday, and sometimes in the week. One evening about Easter the choir met for practice, and a new hymn, which Jude had heard of as being by a Wessex composer, was to be tried and prepared for the following week. It turned out to be a strangely emotional composition. As they all sang it over and over again its harmonies grew upon Jude, and moved him exceedingly.
When they had finished he went round to the organist to make inquiries. The score was in manuscript, the name of the composer being at the head, together with the title of the hymn: "The Foot of the Cross."
"Yes," said the organist. "He is a local man. He is a professional musician at Kennetbridge—between here and Christminster. The vicar knows him. He was brought up and educated in Christminster traditions, which accounts for the quality of the piece. I think he plays in the large church there, and has a surpliced choir. He comes to Melchester sometimes, and once tried to get the Cathedral organ when the post was vacant. The hymn is getting about everywhere this Easter."
As he walked, humming the air, on his way home, Jude fell to musing on its composer, and the reasons why he composed it. What a man of sympathies he must be! Perplexed and harassed as he himself was about Sue, and Arabella, and troubled as was his conscience by the complication of his position, how he would like to know that man! "He of all men would understand my difficulties,"
