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The green palmettoes in crepuscular ice
Clipped frigidly blue-black meridians,
Morose chiaroscuro, gauntly drawn.

How many poems he denied himself
In his observant progress, lesser things
Than the relentless contact he desired;
How many sea-masks he ignored; what sounds
He shut out from his tempering ear; what thoughts,
Like jades affecting the sequestered bride;
And what descants, he sent to banishment!
Perhaps the Arctic moonlight really gave
The liaison, the blissful liaison,
Between himself and his environment,
Which was, and is, chief motive, first delight,
For him, and not for him alone. It seemed
Illusive, faint, more mist than moon, perverse,
Wrong as a divagation to Peking,
To him that postulated as his theme
The vulgar, as his theme and hymn and flight,
A passionately niggling nightingale.
Moonlight was an evasion, or, if not,
A minor meeting, facile, delicate.

Thus he conceived his voyaging to be
An up and down between two elements,
A fluctuating between sun and moon,
A sally into gold and crimson forms,
As on this voyage, out of goblinry,
And then retirement like a turning back
And sinking down to the indulgences
That in the moonlight have their habitude.
But let these backward lapses, if they would,
Grind their seductions on him, Crispin knew

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