the bottom. And so we end—every one of us. The great thing is to crowd in all the action we can before the final plunge comes—to go skipping and splashing as hard and long and fast and far as we may!"
A valuable thought, possibly, and elaborated beyond Randolph's sketchy and casual utterance; but Amy looked uncomfortable and chilled and glanced with little favor at a few other flat stones lying at her feet. "Please don't. Please change the subject," she seemed to ask.
She changed it herself. "You sang beautifully," she said, with some return of warmth—even with some approach to fervor.
"Oh, I can sing," he returned nonchalantly, "if I can only have my hands in my pockets, or waving in the air, or anywhere but on a keyboard."
"I wish you had let them persuade you to sing another." She was not only willing to admire, but desirous: conscientious amends, perhaps, for an earlier verdict. "One or two more skips, you know, after getting started."
"Oh, once was enough. A happy coincidence. The next might have been an unhappy one."
"You have never learned to accompany yourself?"
"As you've seen, I'm a rather poor hand at it; I've depended a good deal on others. Or, better, on another."
She looked at him earnestly. "Have you ever sung to an obbligato?"
"None of my songs, thus far, has called for one.
