lief when, on the twenty-ninth, Arthur Lemoyne finally arrived.
Lemoyne had been heralded as a young man of parts, and as the son of a family which enjoyed, in Winnebago, some significant share of worldly prosperity, and, therefore, of social consideration. The simpler Copes, putting him in the other back bedroom, the ceiling of which sloped the opposite way, wondered if they were quite giving him his just dues. When Rosalys came to set away his handbag and to rearrange, next morning, his brushes on the top of the dresser, she gathered from various indications supplied by his outfit that the front chamber, at whatever inconvenience to whomever, would have been more suitable. But, "Never mind," said her mother; "they'll do very well as they are—side by side, with the door conveniently between. Then Bert can look after him a little more and we a little less."
Lemoyne presented himself to the combined family gaze as a young man of twenty-seven or so, with dark, limpid eyes, a good deal of dark, wavy hair, and limbs almost too plumply well-turned. In his hands the flesh minimized the prominence of joints and knuckles, and the fingers (especially the little fingers) displayed certain graceful, slightly affected movements of the kind which may cause a person to be credited—or taxed—with possessing the "artistic temperament." To end with, he carried two inches of short black stubble under his nose. He was a type which one may admire—or not. Rosalys Cope found in him a sort of picturesque allure. Rather liking him
