indulgence as far as Arthur Lemoyne was pushing it——!
Cope was concerned; then worried. "Arthur," he said, "be reasonable about this. You've got real work to do, remember."
But Lemoyne's real work was in the musical comedy. "This is the biggest chance I've ever had in my life," he declared, "and I don't want to lose out on it."
So Cope rolled away to the dunes and left Lemoyne behind for one Saturday night rehearsal the more.
Duneland gave him a tonic welcome. Under a breezy sky the far edge of the lake stood out clear. Along its nearer edge the vivacious waves tumbled noisily. The steady pines were welcoming the fresh early foliage of such companions as dressed and undressed in accord with the calendar; the wrecked trunks which had given up life and its leafy pomps seemed somehow less sombre and stark; and in the threatened woodlands behind the hills a multiplicity of small new greeneries stirred the autumn's dead leaves and brightened up the thickets of shrubbery. The arbutus had companioned the hepatica, and the squads of the lupines were busily preparing their panoply of lavender-blue racemes. Nature was breaking bounds. On the inland horizon rose the vast bulk of the prison. As on other excursions, nobody tried too hard to see it.
"It's all too lovely," exclaimed Medora Phillips. "And what is quite as good," she was able to declare, "the house itself is all right." Winter had not weakened its roof nor wrenched away its storm-windows; no irresponsible wayfarer had used it for a lodging,
