ter of applause for Bertram Cope (one of a small procession of six), yet rather more for a smiling young man who followed him. . . .
Cope looked somewhat spare, despite his voluminous gown. The trying lights added little color to his face, and brought his cheek-bones into undue prominence. But he took his sheepskin with a bow and a gesture that extinguished several of his companions; and he faced the audience, on descending from the stage, with a composed effect gained by experience in the choir. The lustre in the ceiling lit up his yellow hair and his blue eyes: "He is as charming as ever!" thought Medora Phillips.
"He's had a hard pull of it," commented Randolph.
"I hope his own people will feed him up this summer," said Medora. Her emphasis was wayward; "He wouldn't let me do it," she seemed to mean.
"Nor me," she almost made Randolph say.
There was a recessional, and then the crowds of students flooded the corridors and circulated under the fresh foliage of the campus. Randolph and Medora Phillips passed out with the rest of the assemblage. In the midst of one of the avenues of elms they noticed Cope as the center of a little group: two plain, elderly people (his parents, doubtless) and—and——
Medora Phillips looked twice. Yes, the other figure was Carolyn Thorpe, offering congratulations. Carolyn had returned to her post and her work the day before. "H'm," thought Medora, disposed to be
