The obvious inference to be drawn from Genest's opening remark is indeed astounding, namely, that it had been the custom, before Betterton's time, to cut the great Boar's Head Tavern scene. But it was after Betterton's time that, according to Genest, a 'happy (sic) addition' was made to Falstaff's speech which begins 'By the Lord, I knew ye as well as he that made ye' by prefixing the question 'Do ye think that I did not know ye?' This singularly infelicitous addition to Shakespeare's text was retained by Sir Herbert Tree in his performance of the Boar's Head Tavern scene at the Shakespeare Tercentenary Festival in the New Amsterdam Theatre, New York, in April, 1916.
Verbruggen was Betterton's Hotspur, and according to Genest (II. 381) he was 'nature without extravagance, and freedom without licentiousness,—he was vociferous without bellowing.' The inference to be drawn with respect to former performances is again interesting.
Twenty other actors are known to have played Falstaff between 1700 and 1750, and the play-bills of twenty performances of Henry IV, Part I, between 1706 and 1826 are in existence. Six of these performances were at the Haymarket, seven at Drury Lane, two at Lincoln's Inn Fields, and five at Covent Garden.
Garrick first appeared as Hotspur at the Covent Garden performance in 1746, his great rival, Quin, appearing as Falstaff, a rôle in which he had made himself a great name eight years before. We are told that 'the advantage was greatly on Quin's side, as the part of Hotspur was not suited to Garrick's figure or style of acting.'
Henderson was the great Falstaff of the latter half of the eighteenth century, and played at the Haymarket, Drury Lane, and Covent Garden. He is said to have made Falstaff 'neither very vulgar nor
