revision represented by the 1623 text of 3 Henry VI is mainly, if not wholly, the work of Shakespeare in the early years of his dramatic novitiate.
The True Tragedy, in comparison with The First Part of the Contention, shows less variety of tone and less inequality of style: it is a better unified and more moving drama and contains fewer scenes which suggest a doubt concerning the possibility of Marlowe's authorship. Shakespeare's revision of this work in 3 Henry VI is, as has been already said,[1] less elaborate and more understanding than his revision of the Contention. He retains better the spirit of the original and in his alterations, extensive though they indeed are, shows himself more the practical dramatist and less the practicing versifier. An advance in purposeful and economical method appears, for example, in the reviser's rearrangement of the sequence of scenes iv–vii of Act IV,[2] and in his occasional transposition of lines in the original play to other positions where they are more effective. Line 53 of II. i, 'But Hercules himself must yield to odds,' and the opening lines of V. iii,
'Thus far our fortune keeps an upward course,
And we are grac'd with wreaths of victory,'
are found in The True Tragedy, but at quite different points from those at which Shakespeare has chosen to employ them. Various details of the relation of the revised to the unrevised play are discussed in the notes; e.g., those on I. i. 14; I. ii. 28–31; II. i. 68 f., 113; II. ii. 89–92; II. iii. 15; II. v. 54; II. vi. 8, 42–44; III. iii. 16–18; IV. ii. 20 f.; IV. iii. 22 S.d.; IV. vii. 50; V. i. 81 S.d.; V. iv. 1–38.
