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On the Bright Shore

that they were masters of a lofty mental culture, greatly developed intellects, thinking deeply, often even learned. In Poles, on the contrary, he saw always something which was directly the opposite. With the exception of a few, or at best of a small number, the generality was composed of men capable, but lacking thought, men of uncommonly small development, and devoid of all culture. They lived, nourished somewhat by crumbs of doctrines falling from the French table, and crumbs which had lost much of their savor. These artists did not admit for a moment that it was possible to think out anything original touching art, and especially to produce original creations in a Polish style. To Svirski it was clear, also, that a doctrine which enjoins absence of thought must please their hearts. To bear the title of artist, and at the same time be mentally a minor, is convenient. To read, know, think—deuce take such toil!

Svirski thought that if even a landscape is

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