plain tale much mythical decoration appropriate to his new quality, turning the comrades of Indra into the storm-gods and interpreting the waters and cows to mean rain and daylight. Since most of us are agreed that stories such as that of Indra defeating Śambara for the benefit of Divōdāsa refer to real events, it seems unnatural to suppose that the Vṛitra-legend is a purely imaginary myth. We can thus explain why the ideas of Indra setting free the rain and the light fit in so awkwardly with the heroic element in the legend: for they are merely secondary attributes, borrowed from the myths of other gods and mechanically attached to Indra on his elevation in the pantheon. But we can explain much more. There is a regular cycle of hero-saga connected with Indra which is visible or half-visible at the back of some of the Vēdic hymns and of the priestly literature which is destined to follow them.
The truth is that the priests of the Ṛig-vēda on the whole have not quite made up their minds about Indra's merits, and we shall find them a few generations hence equally uncertain. They praise his heroic deeds lustily and admire his power immensely; but they are keenly aware that he is a god with a past, and sometimes they dwell on that. Their favourite method is to relate some of his former questionable deeds in the form of a reproach, and then to turn the story
