thinkers, Jefferson and Sieyès, studied both to banish the past and to prevent the present from again overshadowing the future. It was under this flag that the armies conquered Germany, destroying and transforming, and left no institution standing but the monarchy of Frederic the Great.
The romantic reaction which began with the invasion of 1794 was the revolt of outraged history. The nation fortified itself against the new ideas by calling up the old, and made the ages of faith and of imagination a defence from the age of reason. Whereas the pagan Renaissance was the artificial resurrection of a world long buried, the romantic Renaissance revived the natural order and restored the broken links from end to end. It inculcated sympathy with what is past, unlovable, indefensible, especially with the age of twilight and scenes favourable to the faculties which the calculators despised. The romantic writers relieved present need with all the abounding treasure of other times, subjecting thereby the will and the conscience of the living to the will and conscience of the dead. Their lasting influence was out of proportion to their immediate performance. They were weak because they wanted strictness and accuracy, and never perceived that the Revolution was itself historic, having roots that could be profitably traced far back in the ages. But they were strong by the recovery of lost knowledge, and by making it possible to understand, to appreciate, and even to admire things which the judgment of rationalism condemned in the mass of worthless and indiscriminate error. They trifled for a time with fancy, but they doubled the horizon of Europe. They admitted India to an equality with Greece, mediæval Rome with classical; and the thoughts they set in motion produced Creuzer's Comparative Mythology and Bopp's Conjugations, Grimm's enthusiasm for the liberty and belief of Odin's worshippers, and Otfried Müller's zeal for the factor of race.
As long as the romantics were a literary school, running æsthetical canons in opposition to Goethe, they
