belief in the importance of what was happening, and a power of tracing it to individual action. Hence prominent individuals were closely scanned, their motives were analysed, and the influences which weighed with them were carefully observed. In some cases the men themselves were worthy of study: in other cases their importance was entirely due to their position. But, anyhow, they were representatives of their times, of the habits, manners and ideas which were current. The picture which we wish to have in our own minds is not merely that of the man, or of the events in which he took part, but of the life and the society which lay behind him.
The picturesqueness of history, therefore, is largely due to memoirs; and the countries and epochs which have produced them are especially picturesque. Now it is great crises, periods of disruption, great emergencies, which as a rule impress contemporaries and furnish matter for close observation. The production of a crisis is, of course, not the highest sign of human intelligence. In fact, a crisis is due to blundering and incapacity. But when a crisis occurs it is a revelation of character. This is obvious in the drama. It is impossible to represent an ordinary man engaged in his ordinary pursuits. To show what sort of man he is, it is necessary to place him in an extraordinary and unexpected position; then all his hidden strength or weakness comes to light. A man can only be defined by his limitations; and these are only obvious when he has to act on his own initiative, robbed of his ordinary props, and forced to draw upon his own intellectual and moral resources. Hence it comes
