Page:History of Indian and Eastern Architecture Vol 1.djvu/366

DRAVIDIAN STYLE. BOOK III. marked vertical lines which give such an appearance of height to Gothic designs. To accomplish this, however, the Western architects were obliged to employ buttresses, pinnacles, and other constructive ex- pedients. The Hindus obtained it by a new disposition of the plan without anywhere inter- rupting the composition. This form of outline also expresses the internal arrangements of the porch better than could be done by the simpler outline of either a square or circle, such as is usually employed in Europe. Its greatest merit, however, is, that the length of 179. Diagram of jaina Porch. the greater aisles is exactly proportioned to their relative width as compared with that of the subordinate aisles. The en- trance being in the angle, the great aisle forms the diagonal, and is consequently in the ratio of 10 to 7, as compared to what it would be if the entrance were in the centre of the side, where we usually place it. From the introduction of the octagonal dome in the centre the same proportion (correctly 1000 to 707) prevails between the central and side aisles, and this again is perhaps the most pleasing that has yet been introduced anywhere. In Gothic churches the principal aisles are generally twice as wide as the side ones, but they are also twice as high, which restores the proportion. Here, where the height of all is the same, or, nearly so, this gradation just suffices to give variety, and to mark the relative importance of the parts, without the one overpowering the other: and neither has the appearance of being too broad nor too narrow. It is, of course, difficult for those who have never seen a building of the class just described to judge of the effect of these arrangements ; and they have seldom been practised in Europe. There is, however, one building in which they have accidentally been employed to a considerable extent, and which owes its whole beauty to the manner in which it follows the arrangement above described. That building is Sir Christopher Wren's church of St. Stephens, Walbrook. Internally its principal feature is a dome supported on eight pillars, with four more in the angles, and two principal aisles crossing the building at right angles, with smaller square compartments on each side. This church is the great architect's masterpiece, but it would have