Page:History of botany (Sachs; Garnsey).djvu/27

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Introduction.
7

cation; it was on philosophic grounds also that he made the characters of the seed and the fruit the basis of his arrangement, while the German botanists, paying little attention to the organs of fructification, were chiefly influenced by the general impression produced by the plant, by its habit as the phrase now is.

The historians of botany have overlooked the real state of the case as here presented, or have not described it with sufficient emphasis; due attention has not been paid to the fact, that systematic botany, as it began to develope in the 17th century, contained within itself from the first two opposing elements; on the one hand the fact of a natural affinity indistinctly felt, which was brought out by the botanists of Germany and the Netherlands, and on the other the desire, to which Cesalpino first gave expression, of arriving by the path of clear perception at a classification of the vegetable kingdom which should satisfy the understanding. These two elements of systematic investigation were entirely incommensurable; it was not possible by the use of arbitrary principles of classification which satisfied the understanding to do justice at the same time to the instinctive feeling for natural affinity which would not be argued away. This incommensurability between natural affinity and a priori grounds of classification is everywhere expressed in the systems embracing the whole vegetable kingdom, which were proposed up to 1736, and which including those of Cesalpino and Linnaeus were not less in number than fifteen. It is the custom to describe these systems, of which those of Cesalpino, Morison, Ray, Bachmann (Rivinus), and Tournefort are the most important, by the one word 'artificial'[1]; but it was by no means the intention of those men to propose classifications of the vegetable kingdom which should be merely artificial, and do no more than offer an


  1. It will be shown in a later chapter that Linnaeus' sexual system was intended to be artificial.